After Life

Patricia MacCormack, ‘After Life’, pp.177-187, in:

MacCormack, P. (Ed.), 2014. The animal catalyst: towards ahuman theory. Bloomsbury Academic, London; New York.

p.177

For oppressive machines, the ahuman aberrant is required to isomorphically raise the status of the majoritarian, and the future hurtling posthuman’s future is only as a cog in that operation of ascension. Ecosophical and ecominoritarian elements of ahuman theories seek to alter this monodirectional system.

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The Animal Catalyst

Patricia MacCormack, ‘Introduction’, pp.1-12, in:

MacCormack, P. (Ed.), 2014. The animal catalyst: towards ahuman theory. Bloomsbury Academic, London; New York.

p.1

The animal conundrum begins with the ‘we’ that we are as human animals – so like nonhuman animals but so unlike, depending on which rhetoric benefits humans at any given time.

No longer seeking inclusion, no longer validating the phantasized attractiveness of majoritarian concerns, emphasizing interconnected affectivity, The Animal Catalyst understands the word ‘animal’ as nothing more than organic life, which is shared between myriad organisms, their expressions and affects, and nothing less than an absolute refusal of the word in all its incarnations (too often incantations): ‘human’.

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On the mode of existence of technical objects

Gilbert Simondon, ‘Introduction’, pp.15-21, in:

Simondon, G., 2016. On the mode of existence of technical objects. Univocal Pub, Minneapolis, MN.

p.15

Culture has constituted itself as a defense system against technics; yet this defense presents itself as a defense of man, and presumes that technical objects do not contain a human reality within them.

We would like to show that culture ignores a human reality within technical reality and that, in order to fully play its role, culture must incorporate technical beings in the form of knowledge and in the form of a sense of values

The opposition drawn between culture and technics, between man and machine, is false and has no foundation; it is merely a sign of ignorance or resentment.

Behind a facile humanism, it masks a reality rich in human efforts and natural forces, and which constitutes a world of technical objects as mediators between man and nature.

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Not Symbiosis, Not Now

Colebrook, C., 2012. Not Symbiosis, Not Now: Why Anthropogenic Change Is Not Really Human. Oxford Literary Review 34, 185–209. https://doi.org/10.3366/olr.2012.0041
p.187

[…] theory and the humanities in general (along with humanity ‘itself’) have not been eager to consider this rather awkward problem, especially given that unlike questions of social justice, personal ethics and political freedom, climate change does not seem to offer solutions in which anyone might win or even improve their current lot.

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MirrorCameraRoom: the gendered multi-(in)stabilities of the selfie

Warfield, K., 2017. MirrorCameraRoom: the gendered multi-(in)stabilities of the selfie. Feminist Media Studies 17, 77–92. https://doi.org/10.1080/14680777.2017.1261843

p.77

Mark Deuze (2012) suggests that in our increasingly mediated lives, perhaps we are the medium. Theorists of Internet and social media studies have tackled similar befuddling questions where we’ve become at once producers and consumers—pro-sumers (Alvin Toffler 1980)—or simultaneously producers and users—produsers (Karl Fahringer and Axel Bruns 2008). Studying audiences at this period in history is like “wrestling with a jellyfish” (Justin Lewis 2013) because, among other things, audiences could be both always and everywhere (Peter Vorderer and Matthias Kohring 2013) or everywhere and nowhere (Elizabeth Bird 2003).

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Animal interface: the generosity of domestication

Nigel Clark, ‘Animal interface: the generosity of domestication’, pp.49-70 [not this version], in:

Cassidy, R., Mullin, M.H., Wenner-Gren Foundation for Anthropological Research (Eds.), 2007. Where the wild things are now: domestication reconsidered, Wenner-Gren international symposium series. Berg, Oxford; New York.

p.1

Market-driven pressures to minimize inputs and maximize outputs of animal bodies have led to increasingly industrialized agricultural practices in which technologies of control and modification are applied to ever more intimate aspects of biological being.

One way of looking at domestication is to see it as a shortening and tightening of nutrient cycles: an imposition of `efficiency’ that seeks to exclude links in the food chain that come between human consumers and those living things they wish to consume (De Landa, 1997: 08). Viewed in this way, domestication appears as an anticipation or prototype of the kind of `economic’ logic that is a definitive feature of the era we call `modernity’.

There are many ways of defining what it is to be `modern’, but to put it simply we might say that it is a way of thinking and doing that likes to know its goals, and sets out to attain them in the most efficient and speedy manner.

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Post-Dualist Embodiment, with Some Theses on Sensation

Tom Sparrow, ‘Post-Dualist Embodiment, with Some Theses on Sensation’, pp. 25-66, in:

Sparrow, T., Malabou, C., 2015. Plastic bodies: rebuilding sensation after phenomenology. Open Humanities Press, London.

p.26

Certain bodily transformations never present themselves phenomenally. Or they do, but only after they have happened, like an afterimage whose original image is forever lost. They affect us unwittingly, spontaneously causing a malfunction or disablement of the body that consciousness never directly witnesses.

Sensation, I will claim, is something undergone by animate and inanimate bodies alike, but it is undergone in such a way that we tend to forget it ever happened or that it is happening at every moment.

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Artifacts and Attachment

Peter-Paul Verbeek, ‘Artifacts and Attachment: A Post-Script Philosophy of Mediation’, pp.125-146, in:
Harbers, H. (Ed.), 2005. Inside the politics of technology: agency and normativity in the co-production of technology and society. Amsterdam University Press, Amsterdam.

p.125

Within Technology Studies, the predominant vocabulary for understanding the role of artifacts in society is offered by actor-network theory. Bruno Latour, one of its major representatives, maintains that the social sciences’ exclusive focus on humans should be abandoned.

The so-called “principle of symmetry” is the most notable feature of Latour’s approach, entailing that humans and nonhuman entities should be studied symmetrically.

p.126

It will appear that Latour’s vocabulary is helpful in answering this question, but that it needs to be augmented in order to do full justice to the role of things in people’s everyday lives. I shall develop this augmentation by reinterpreting phenomenology, and by elaborating it literally into a post-script philosophy of technical mediation.

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Political Feminist Positioning in Neoliberal Global Capitalism

Marina Gržinić, ‘Political Feminist Positioning in Neoliberal Global Capitalism’, pp.201-223, in:

Behar, K. (Ed.), 2016. Object-oriented feminism. University of Minnesota Press, Minneapolis.

p.201

The human as a term is central to feminism and its socialist aspirations, as well as to the technological revolutions provided by new media technology, computer devices, and the enhanced development of science and technology that are sped up via the computer and cybernetic developments.

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Both a Cyborg and a Goddess

R. Joshua Scannell, ‘Both a Cyborg and a Goddess: Deep Managerial Time and Informatic Governance’, pp.247-273, in:

Behar, K. (Ed.), 2016. Object-oriented feminism. University of Minnesota Press, Minneapolis.

p.247

[Referencing Jasbir Puar (2012)]

Affective intensities, distributed bodily information, data trails, teletechnology, all commingle in a constantly productive distribution of posthumanist political modulations that are the target of what Gilles Deleuze identified as “the society of control.”

Puar metonymizes these analytics as goddesses and cyborgs. On the one hand, the reified humanist categories of goddess identity and personhood render a political imagination that exotifies both the sub- jects it seeks to represent and the political systems that oppress them. On the other, the teleological technical determinism of the cyborg easily slips into a sort of pseudo-intellectual “disruptive” solipsism. Surely, she claims, there must be cyborg goddesses in our midst.

It is my contention that a figure with the attributes of the cyborg goddess has emerged, but that it is not human.

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